Event Photography - If You Enjoy Parties and Photography, Here's a Free Guide to Earning From It!

If you are considering becoming an Eventbring the costs down. Some of the more obscure
Photographer this guide may be useful. I spent a longbrands like Shinko and Olmec are often tricky to
time researching all the kit needed to be a successfulsource.
Event photographer, testing and costing carefully. It'sWe are happy with the speed, quality and reliability
all current gear available now so it's up to date unlikeof our printers, but more importantly, our customers
some of the guides I read.love the results.
I've been on training courses and I've done quite a4. Mitsubishi Click System for Event Photographers.
few different Events now, so this is to help othersMy background is in colour technology as mentioned,
avoid some of the common mistakes. This guide tobut prior to that I was a DEC system manager, I
Event photography is based on my personalhave a HND in Computer Science and am a qualified
experience and you are welcome to reproduce it asprogrammer. Yes, I'm old enough to have done all
long as you credit this article with the websitethat and spent 7 years in the Army controlling
addressArtlillery fire by computers and by slide rules and log
I do recommend anyone interested in Eventbooks when those systems were taken out.
photography going on the excellent training courseSo I'm probably more of a technical geek than most
supplied by Systems Insight, speak to Mike Orr,photographers. So why did I choose a dedicated
Stuart or Darren at systems insight. I've also foundturnkey solution for producing event photographs
the Event Photographers Society really useful.rather than use my expertise in PC and Mac
It is divided into sections as follows:solutions?
1, Camera Equipment needed for EventLaziness really, why re-invent the wheel! I quickly
Photographers;realised that to make any money at all in Event
2. Lighting equipment for Event Photography;Photography you have to produce very good
3. Printers for Instant Event Photos;photographs to a very high standard very quickly!
4. Mitsubishi Click system for Event Photography;Work flow is very important. Initially I was either
5. Green Screen Event Photography;going to use a big 27" Mac with a studio display for
6. Starting an Event Photography Business.quality to handle all the incoming pictures, or go down
1. Camera Equipment for Event Photographers.the Windows 7 route with a couple of fast Sony
You don't NEED the latest high-end professional DSLRVaio AW notebooks with their gorgeous Adobe RGB
with pro glass lenses to shoot an event! It's nice to18" monitors, with either system linked to a dye-sub
have good kit but that should be a given for any Proor two.
Photographer. In reality the customer at a footballBut once I started looking at the workflow and
tournament, school prom or black tie event doesn'tsoftware required I realised the Mitsubishi Click would
care what kit you have as long as the results arecover all the bases. Yes, I could run either system
good, and you don't want to be carrying a heavyquickly and use dedicated green screen software and
camera with fragile glass in an environment that isprofessional retouching software to produce stunning
often boisterous and busy!results. But then who would take the photos? I
You don't need to shoot huge resolution RAW filesneeded a system that was streamlined and simple to
and won't have time to post process or mess aboutuse so I could train others to use it.
with hundreds of settings.You are aiming to get aMy first event was a corporate Xmas dinner and the
sharp, vibrant and well lit photograph of enoughonly person available to do the green screen effects,
resolution to print at your final output size.printing, mounting and sales was my wife! The Click
Concentrate on making the people look great!system is very straightforward, you set up a new
I do recommend a wireless work flow which I coverevent and pictures are sent wirelessly from the
later, and again you need the files to be small enoughphotographer. Selecting them by just touching the
to send quickly. I use a Nikon D700 but that's onlyscreen allows for full screen previews, once the
because I have one for Property photography as Icustomers have decided which photographs they
need the full frame and low light capabilities.want it is quite easy to drop in a green screen
I shoot jpg at just medium resolution for mostbackground and print, all by touch!
events, and use a Sigma 24-70mm HSM lens so I canCamera cards and CD's can be easily read or burnt,
quickly zoom between individuals and groups. A Nikonmultiple printers are supported and the whole system
D40 with a kit lens will do just as well. and I alwaysruns smoothly and look very professional. We've
carry one as a backup. It also takes my Nikoneven had customers connect their own cameras or
flashguns and is much lighter than a D700.mobile phones by bluetooth and print their own
It is important to have a backup camera, I've evenphotos! My wife managed well on our first event, and
made do with a Nikon Coolpix P6000 when my D700we had over thirty satisfied customers that evening,
was being used pitch side at a Cricket Event. Within a very short period of about 2 hours from when
proper lighting (see lighting section) I got almostthe meal ended to going home.
identical results shooting people in front of a greenMany purchased multiple photos, with different
screen. You must have at least one fully chargedbackdrops and effects, but she handled it all while I
spare battery for each camera at an event, a coupletook the shots. Now we have more trained
of spare and preformatted memory cards, and spareassistants as it did wear her out a bit:) But I still
batteries for your flashguns. I use the new Duracellwanted the flexibility and power to use more
rechargeables for the flashguns as they stayspecialised green screen software to drop in overlays
So don't go mad on the camera kit, it will get bashedand fine tune some of the more tricky effects.
around at an event! As for settings, indoors I shootSo with a bit of help from the techies at System
at around f7.1 to f8 for groups so I get good depthInsight I worked out how to access the system
of field, I use shutter speeds of around 125 to getdirectly, and underneath the smooth software front
sharp shots as I don't like a tripod, too restrictive,end is a powerful windows PC. So now if we get a
and I use ISO 400 to get enough sensitivity. Whitereally special request (like "put me in the Oval Office
balance is easy on a Nikon, see lighting but the flashwith President Obama") I can jump in and alt tab to
setting will do. For individuals and couples I open up toPhotokey or Portrait pro running in the background!
around f5 and shoot full length, head and shouldersAnd yes, you can print directy to the dedicated
and a close-up. Outdoors events are more dependent9550DW by dropping jobs straight into the queue,
on the available light and the lens.email for details:)
One tip, using a wireless transmitter to send theYou can also boost the processor speed, add more
images straight to your PC, Mac or Click systemRAM, put in a HDMI graphics card to support external
avoids the pitfall of people (the ladies mainly) wantingdisplays, even change out the motherboard if you
to see each shot on the back of the camera as youare brave enough and don't mind voiding your
take it! That gets them through quicker and lets yourwarranty!
team at the workstation show the images properlyI'd recommend this system to anyone starting out,
at full size. I do actually keep the images stored inand would also recommend you buy it from Stuart or
the camera as a backup though in case the wirelessDarren at Systems Insight as they know the system
system stops working.well!
Another tip, if you are shooting groups at a School5. Green Screen Event Photography
Prom or Corporate event, take a stepladder! If youTo be successful in Event Photography as in any
get above them and shoot down it changes thebusiness you need a key differentiator, something to
angles and stops the people at the front lookingmake you unique. We all provide basically the same
much larger than those at the back! This lets youservice, photographing people having a good time and
squeeze bigger groups in as well, especially useful ifoffering prints or downloads. Some specialise in niche
you are shooting in front of a green screen at anmarkets like weddings or school photographs, or
event.certain types of events like Equestrian or
Also, if you ever get a large group of girls at aMotorcycling. I chose Green Screen Event
School Prom or Sweet Sixteen event, take LOTS ofPhotography for a variety of reasons.
shots! It is very hard to get a single photo whereI like the portability of our lighting system and didn't
every girl is happy with how she looks, guys reallywant to spoil that by having to carry around various
are not as fussy. The girls will buy the photo thathuge coloured backdrops for different occasions. I
they look best in.find it boring having dozens of people shot the same
We tend to charge the standard rate £10 perway, and I'm sure most people who go to events
shoot including a 6x9 mounted photograph, but doare getting fed up of the same bluey grey backdrop,
offer incentives for groups such as discounting copiesor the "ultra modern" white or black high or low key
of the same photograph, or offering 3 for the priceshoot.
of 2 if they are different shots that need processing.I want to have fun at an event and want the guests
2. Lighting Equipment for Event Photographyto experience something new. So we shoot
I don't use studio lighting for indoor events! Initially Ieveryone in front of a blue or more usually a green
used the standard large softbox above the camerascreen and then our special software can replace
and shot in front of a grey, back or white backdrop.that colour with any of our 2500 digital backgrounds!
But that's boring and old hat nowadays, the lighting isThis gives us the flexibility to add classy studio
very flat and there is always the risk of peoplebackdrops to Black Tie and Corporate Events, and
tripping over cables and the hassle of finding alets us choose appropraite colours to enhance what
nearby power socket.the guests are wearing.
At School proms, Bar-Mitzvahs and especially SweetFor School proms and Sweet Sixteens we can get
Sixteen parties it gets very busy and although wethe guests flying through space, on stage with their
carry full insurance I don't want a heavy studio lightfavourite rock bands or in the latest movies. Bar and
falling on a guest. It's the same at Corporate eventsBat-Mitzvahs are great fun as we can transport the
and Black Tie dinners, there's usually a huge rushguests anywhere in the world, and for all events we
after dinner for photos and even a taped down lightoffer free personalised overlays and designs so the
can get pulled over by an inebriated partygoer!event is memorable and unique.
So now I use a Nikon SB-900 on the camera withThe secret to Chromakey Event Photography is
the wide-angle flap down and the soft diffuser fitted.keeping the workflow fast! If you offer a guest
This controls two other Nikon SB-600's also with the2500 choices, expect a huge queue or a lot of
wide-angle flaps down using Nikon's excellent CLSdisapointed people. We tend to design 10 choices for
lighting system. The two SB-600's are mounted oneach event and will print an example of each so they
sturdy but portable stands and shoot through whitecan decide before we shoot. That way if they are
umbrellas for lovely soft lighting.going to be posing alongside a Twilight Vampire or on
At an Event you don't want to be messing aroundthe dance floor with John Travolta, they can strike
changing lighting when you have queues, but thisan appropriate pose! It does slow things down having
setup is flexible and light enough to be safe to moveto add backdrops but we prefer the interaction and
quickly if you need to. The Nikon system lets methe guests enjoy the experience.
control the brightness of each flash directly from theIt's not all about getting them shot and printed to us,
camera without having to touch the lights.some event companies work like a slaughterhouse
As we use Green Screen backdrops at most eventsconcentrating on quantity rather than quality, that's
to add effects and digital backgrounds, I have towhat the auto cameras at theme parks are for, we
ensure the backdrop is evenly lit to avoid problemswould rather spend a little time earning our money!
when chromakeying out the green. By mounting theWe prefer green screens to blue screens as less
umbrellas high up at either side and shooting throughpeople wear the actual shade of green we use. Blue
them, the green (or blue) backdrop gets evenly litclothing, eyes and jewellery are more common and
where it matters. The guests get a nice flatteringcan cause probems unless you know how to mask
lighting setup which I can easily adjust for largeout those areas. We use very special green screen
groups or closeups. Imaterial now, direct from the film studios. This is a
I shoot on full manual with the on camera flash atspecial white backed material that absorbs light and
about 1/32 power to give a little fill light, but mainlyglows evenly. Ordinary green muslin will reflect light
to trigger the two mounted lights. These are usuallyand cause problems especially with very blonde hair.
on about 1/8th power which is plenty! Recyling isContact me for details, it's twice the price but worth
very fast and I've never had to change batteries yetit!
at an event, although I have charged spares on hand.Don't worry about evenly lighting the backdrop as
If I get a large group like a football or cricket teammany claim, that will just cause more spill and you
at a sporting event I can quickly move the twoneed more lights power and cabling! You can't get
sidelights back and up the power.If it quietens downyour guests the recommended 10-12 feet away at
and we get a guest who wants some special shots,an event, which you need to if you light the
the lights can be moved so one acts as a keylightbackdrop! Imagine if you were shooting a group and
and one as a fill for classic Rembrandt lighting. Wethey all had to be 12 feet in front of the cloth!, how
have professional makeover software running on thebig would it need to be! Using pro software lets you
workstations so can enhance pictures quickly ifquickly adjust for spill and reflected green light.
someone wants portfolio shots.The trick is to light the people not the backdrop, that
The SB-900 on the camera can also be removed andshould only appear in the gaps anyway and if you
used as a slave for hair lighting or other effects,have a light enough green it will work. Less is more,
triggered by the on canera flash. So we can do alight from the sides and above so any shadows are
three light setup easily! White balance is crucial, onstill green and they will disappear.We use overlays
Nikon cameras just stand where the subjects will be,and backgrounds to get realistic Magazine covers and
set the white balance to "pre" then hold down thespecial effects.
wb button for three seconds. When the displayPeople don't notice that usually the models on
flashes, point the camera back between the lightsmagazines go in front of the title heading but behind
and shoot. If it says "good" in the display, you arethe informative text! And watch out for copyrights,
set to go. If not, try shooting again straight at onedesign your own magazine covers that are similar but
of the sb600, it will work!not identical, you can buy these from the USA as
The real beauty of this system is that it all fits in oneoverlays..PNG files are best but won't work on the
calumet rolling case and is easily portable! It is veryClick, you need to do what we do and switch.
flexible for other types of photography. TheseThe President Obama shot is a good example, He is
flashguns are just as powerful as studio lights, andin the background, the guests are dropped in on top,
we even carry Fong diffusers and softboxes just inthen the desk is added as an overlay in front.
case we get a chance to do some glamour6. Starting an Event Photography Business.
photography. (and yes, you can book us for privateDon't believe some of the salesmen out there who
shoots!)claim it's a licence to print money! That is their job
3. Printers for Instant Event Photos.and they do it well, but like any business you need to
I used to to run a large independent company sellingreally work at it. Most pro photographers woudn't
calibrated colour printers, scanners and displays intodream of doing a photoshoot AND supplying a
the corporate design market and previously workedframed large photograph for a tenner! And don't
with Canon, Xerox, Mitsubishi and Tektronix as athink just because you get a booking at a black tie
colour consultant. So choosing the best Event printersevent for example with 100 people that you are
was an interesting exercise!going to sell 100 photos!
Inkjets and colour lasers were instantly dismissed as I30% of those people won't even want a photo
needed portability, reliability and photographic quality.taken! That's just the way it is. There won't be many
Plus I needed to know exactly what each print wouldsingle people wanting a photo on their own, and
cost. An inkjet will produce the quality with a bit ofthere's always a large group who want just one shot
tweaking but will never match the quality, speed orof all of them, but will buy additional copies at a
durability of a dedicated dye-sublimation printer.discounted rate. That leaves the couples, so that
I don't believe in compatible inks as I've seen firstbrings you down to around five singles, a large group
hand the amount of R&D that goes into aand twenty couples.
manufacturers own ink. So ink-jet prints are going toYou will earn about £300 at an event of this
be too expensive for event printing. Lasers are fastsize. Ok, that's a small event but just about possible
but lacking in colour quality, and extremely tricky tofor two people to cover so that's only one assistant
transport. After testing all the current offerings Ito pay. Then there is the cost of the prints, mounts
decided on the Mitsubishi 9550 DW linked to theand bags, travelling costs, insurance costs not to
Mitsubishi Click system as our basic workhorse formention an hour to setup and an hour to pack down
producing large 9 x 6 inch photographs.plus sometimes many hours of waiting for a dinner
As I use a full frame camera this is exactly the sizespeech to end.
the camera shoots at, so no cropping needed! TheDon't forget the website you need, the adverts to
photographs are fast and very accurate thanks toget bookings, the expense of all the gear, marketing
the dedicated colour profiling we use supplied byyour website, the admin and post production work to
Systems Insight and fine-tuned by me!get the images online. The usual business costs of
The dye-sub process basically involves heating the inkstationery, phone bills, promotional gear and all the
on a ribbon until it turns into a gas and sublimates intoinsurance.
the special paper. This is a true continuous toneAlso remember there are a lot of excellent
process so the colour gamut is much wider thanphotographers out there, and anyone can buy a
other processes, giving smooth and accurate skingood camera, lens, and a fast printer and go out and
tones with no dot patterns.do this. The big companies will already have the big
You can actually roll a photograph up and stand it in aevents sewn up, So you need to use your contacts,
pint of coke, leave it for hours and then wipe dryask around, advertise and promote. Offer to do
without any signs of running or fading, assome small events free for the practice, but still
demonstrated on the training course by Stuart!charge the going rate. Even if you only sell 10 shoots
These photographs really won't fade and arein a night, the experience is invaluable before you
fingerprint proof thanks to the special coating. Theytackle a busy event.
will last longer than any other photograph!Once you get a booking, splash out on some pop up
The fixed cost per photograph allows us to offerbanners showing what you do, flyers and business
discounted pricing for pre-paid events like weddingscards. When you get there and setup, take a few
or school proms as we know exactly what our coststest shots of the bar staff, waitresses and event
will be per photo regardless of how much of eachorganisers to test everything. Frame these up and
colour is used.give them out as gifts, asking them to show the
But we also offer a unique digital make-over serviceguests! Great advertising! Get the DJ to tell guests
for events using a very special PC with professionalwhere you are and what you are doing. Work the
retouching software so needed a printer we couldtables if it's quiet. Above all enjoy it and be polite and
connect directly. And we wanted to be able to offerprofessional as you are representing us all!
instant 12" x 10" photos and other large sizes forThat's enough secrets revealed for now, if anyone
Sporting Events like football and cricket eventswants to ask any questions feel free. This is just my
where team shots are popular.opinions and experience so far, I'll add more as I get
So we decided on the larger format Mitsubishi as welltime. If you find this at all useful, please tell others,
as we have now found out it also works on the Click!I'm not charging to write all this, nor am I selling
Consumables for the Mitsubishi Event printers areanything, but links to my site will really be
readily available and therefore discounted prices helpappreciated, or a mention in any blogs etc.